@bergsonist

@selwaabd
      
      

Selwa Abd (Bergsonist) is a Moroccan American interdisciplinary designer and artist whose work integrates visual communication, cultural strategy, and collaborative creative practice. 
She specializes in translating complex ideas into cohesive design systems, campaigns, and storytelling frameworks for arts and community-focused projects.

In 2017, she founded Pick Up The Flow, a community resource platform that has grown into a widely recognized initiative across New York City’s cultural landscape. Through this work, she has developed visual identities, communication frameworks, and branded systems that support artists via accessible resources, strategic content, and collaborative organizing.

Selwa also curates and produces events for platforms such as BIZAARBAZAAR and 3afak (with Sanna Almajedi), with a focus on community engagement, equity, and the intersection of art and design.
Her creative work has been presented at venues including MOMA PS1, Roulette Intermedium, National Sawdust, and Issue Project Room, with recognition from The Washington Post, BOMB Magazine, GQ Middle East Magazine, Resident Advisor, Mixmag Mena, NPR and Artforum.

She is the recipient of grants and residencies from NYSCA x Roulette, NYFA x Mayor’s Office of Media and Entertainment’s Women Fund Grant, the Jerome Foundation, SACEM (France), Issue Project Room, and Harvestworks. 
She's been a NTS Radio resident since 2018  




   
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Music Workers Alliance, 2020
Visual Identity, Social Media Management



Music Workers Alliance’s official logo, 2020









In 2020, I joined the Music Workers Alliance, an organization created by, for, and in support of independent music workers.

The MWA works to initiate, organize, and sustain collective action that empowers those working independently in the music industry.
My role focused on strengthening the organization’s social media presence by posting daily graphics for ongoing campaigns, organizing musicians in my community, and designing the logo along with various social media assets.

Between 2020 and 2021, I worked on two major campaigns:
1) The Unemployment Campaign, which highlighted daily Pandemic Unemployment Stories from music workers who had lost all income since March 2020 and were unable to return to work due to the shutdown of live performances. Because so many depended on enhanced unemployment benefits, the MWA advocated for the extension of this critical support. I designed all campaign assets and shared them daily on Instagram.

2) A petition calling for Economic Justice in the Digital Domain, which garnered more than 5,000 signatures from musicians across genres, including renowned artists such as Ahmad Jamal, David Lynch, Wayne Shorter, Elvis Costello and Norah Jones.






Flyers for Social Media Campaign




2020-2021 Campaigns






Pick Up The Flow, 2020-Now,
Visual Identity, Project Development, Social Media Management


Official Logo (2020-Now)



From 2020 to now, I’ve led the development of PickUpTheFlow (PUTF), a platform that delivers daily grant and job opportunities via Instagram. 
I created the entire visual identity and branding system. 
In 2024, I introduced a video interview series featuring creatives from the PUTF community and conducted interviews at Dripping Festival and New Inc 2025 (New Museum).


Pick Up The Flow (PUTF) is a platform and community dedicated to expanding equitable access to opportunities within the arts, culture, and creative industries. Our mission is to make information transparent, accessible, and actionable for artists, cultural workers, academics, and organizations worldwide.

Organizational Background: Founded in 2017, PUTF began as a private, invitation-only Facebook group connecting musicians and creatives in NYC. The platform emphasized trust, peer-to-peer exchange, and community accountability, allowing members to share professional opportunities, resources, housing, and technical knowledge.
PUTF has since evolved into a public-facing platform responding to ongoing shifts in the cultural sector, including labor conditions, funding access, and visibility within creative industries.

Programs and Activities: In addition to digital publishing, PUTF organizes public programs such as workshops, radio broadcasts, artist talks, community markets, and swap events. Partners include MoMA PS1, The Lot Radio, H0l0, PTP x LQQK Studio, Bossa Nova Civic Club, Mood Ring, among others.

Current Platform:
Instagram: 55K+ followers, daily posts
Newsletter: Weekly Substack edition, 6K+ subscribers (~60% open rate)
Website: Public opportunity listings updated daily (20K+/monthly visitors)
Private FB group (Marketplace): 2100+ members (less active)
Discord: 400+ members (less active)

Community & Audience:
Global audience of artists, cultural workers, academics, nonprofits, and institutions.

Selected Partners & Supporters: Queens Council on the Arts, Times Square Arts, The Joyce Foundation, PepsiCo, Printed Matter, Inc., e-flux, The Laundromat Project, Park Avenue Armory, Institute for Public Architecture, Institute for Studies on Latin American Art, Staten Island Arts, Mexican Summer, Apexart, Alfred University, Danspace Project, Woodward Residency, Abrons Arts Center, Fractured Atlas, MIT Lab Poetic Justice, Lower Manhattan Cultural Council, Studio Museum in Harlem, Storefront for Art and Architecture, Pratt Institute.




 


Listing Card, Template Design, 2025
Weekly Newsletter Announcement Card, Template Design
Instagram Visual Identity, 2025



















Substack Visual Identity, 2025
Wordpress Visual Identity, 2025 
Weekly Newsletter’s Visual Identity, 2025















File Not Found, 2016
Thesis Book Design, The New School


File not found is a research project that investigates the long-term reliability and stability of our digital networks. As technology is changing at a faster pace than ever the compatibility between the container to store information and the connecting systems is continuously at stake. As a consequence, we feel that our digital existence is only temporary.
File not found looks at the ephemerality of the url and investigates experimental ways to materialize it in our analog environment. The first approach of a series of events is a sound performance that “infects” the human habitat through the sonification of malicious URLs.
Virtual content is exploited ‘in real life’, contained in one space, sound and the audience merge into one sonic event.
Banned from the Internet, the malicious urls are bouncing randomly against the walls of the space. They are no longer dead in the immaterial matter called the cloud, but as they regenerate themselves they become part of reality, they embrace the audience while creating in them a sense of total confusion.The performance is documented in a collection of printed books which are independent of digital archiving technology.
Each book uses the page as surface for infection; the urls find back their materiality through a process of infection.

In 2017, this project was featured in Self Storage NYC, an exhibition organized by Flux Factory.






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Freelance Design Work, 2019-2024
Digital & Print Media 


Work spanning branding, creative direction, product design and digital artworks. Selected Works: Babel, Scott Avery (Amani Olu), Bizaarbazaar, RFT & Adalah NYC


For client Amani Olu, I rebranded the Scott Avery music project and designed the vinyl release. I also managed vinyl production logistics and used my music-industry network to support DSP distribution.


A selection of design work for my project label Bizaarbazaar spanning art direction, CD & Tape design, and additional creative outputs. In this photo: Design Layout by Stephen Decker.


Performance curator Sanna Almajedi commissioned me to design the logo for her new project, babel. To achieve the yellow, organic aesthetic she envisioned, I developed custom lettering influenced by the irregular forms and textures of stamped typography.



Two digital artworks commissioned by collectives (RFT & AdalahNY) for their releases. In both pieces, I explored experimental approaches to typography


Creative Direction and Layout Design for my latest CD project “ASL

The front logo spells “Bizaarbazaar” in Arabic, which I designed in Illustrator. The back features the compilation’s tracklist, highlighting over 40 artists.
The front logo spells “Bizaarbazaar” in Arabic, which I designed in Illustrator. The back features the compilation’s tracklist, highlighting over 40 artists.